Some parts: Clark C. 1956 The Nude: A study of Ideal Art. London: John Murray. Pp. 3-29
naked: to be deprived of our clothes (implies embarrassement)
nude: the body re-formed; it is an artform invented by the Greeks in the century B.C; it is not the subject of art but a form of art
p. 6
[the nude] is ourselves and arouses memories of all the things that we wish to do with ourselves; and first of all we wish to perpetuate ourselves… o nude should fail to arouse in the spectator some vestige of erotic feeling
the naked body provides a vivid reminder of other human eperiences as well: harmony energy, ecstasy humility, pathos
p. 9
The Gothic artsts could draw animals because this ivolved no intervening abstraction. ut they could not draw the mude because it was a idea: an idea which their philosophy of orm could not assimilate.
… in our Diogenes search for physical beauty, our instinctive desire is not to imitate but to perfect.
… everything as an ideal form of which the phenomena of experience are more or less corrupted replicas —> eistance of ideal beauty
p. 11
Sir Joshua Reynolds: the ideal is composed of the average and the habitual
p. 13 > link between sensation and order