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performance practices_divergent temporalities

ongoing research with artistic practice

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  • Posts
  • A dictionary
    • Ideas
      • Performance and performance studies
      • Theatrical Paradigm
    • People
      • Artists
      • Theorists
    • Movements
  • Summaries I
    • 1. Introduction- The Body in Performance
      • Performance Studies: An Introduction
      • Body Art
      • Alive
      • The explicit Body
      • The Anthropology of Performance
    • 2. Performativity I
      • Performance Studies: Performativity
    • 3. Performativity II
      • Derrida
      • Performing Feminisms
    • 5. Politics of Live Art
      • World Citizenship
      • Broken Symmetries
    • 7. Participation
      • On the Border of Participation
      • Viewers as Producers
      • Problems and Trasformations in Critical Art
      • How to read Lacan
    • Designing the Body of Research
      • HOW-NESS
      • Artistic Practice as Research
      • A Lover’s Discourse
  • Summaries II
    • Environments of Expanded Acting
      • The Artificial Nature Project
      • Aesthetics of Absencce
      • On Algorithmic Theatre
      • the absenting of the actor
    • Poetics
      • Formless form
      • Imagination: to leave the audience and the artists alone
      • per-formance + trans-formation
      • Poesis: the coming-into-presence of something, the “unsecuring”
      • OFP
    • Bodies in Dissent
      • 1. Transgression
        • Trans 2+4
        • Return of the real
        • Foucault_Preface to transgression
        • Bataille: death & transgression
      • 2. Nudity
        • Nude in art
      • 3. Abjection
      • 4. Camp_Queer_Failure
        • The Orient and Other Others
        • queer utopia: queer failure, queer virtuosity
        • The queer art of failure
      • 5. Artivism
      • VestAndPage
  • Summaries III
    • Posthuman, All too human_Rosi Braidotti
    • Notes: Clark, A. (2003) Natural-Born Cyborg
    • Donna Haraway, A Cyborg Manifesto
    • Anne Durfourmantelle, In Praise of Risk
    • Rebecca Solnit (2005) A Field Guide to Getting Lost
    • Notes: Sherry Turkle (2007) Evocative objects: things we think with.
    • Notes: Alessandro Arienzo, Introduction and Time out of joint
  • Txts
    • “this is the end”
    • Getting lost in town with a dash of risk
    • Time, I and schedules
      • Walking practice
    • Proof of love
  • works in time
    • silence: approaching the real
    • body in public point-time
    • Love letters to alternate temporalities
      • an egg on my balcony next to the traffic lights
    • Poetics of alternate temporalities
    • Online residency
      • ephemeral collaborations
      • The texture of time in words (catchy title)
    • walking on Syntagma Square: sharing time in public space
      • video/audio
      • questionnaire I
      • questionnaire II
    • a little public game
    • experiment: without/off-shedule_in time
    • IrregularSlowEfficiency
    • Lexes of time
  • time material
    • Essay: ‘Galaxy’
    • material for research proposal
    • concepts of time
      • Links to articles and books
      • Point-time and thoughts
      • Chronotope
      • Elie During
        • Notes: Elie During (2016) Coexistence and the flow of time
      • Notes: Nele Wynants (ed) (2019?) Media archaeology and intermedial performance: deep time of the theatre
      • Notes: Russell West-Pavlov (2013) Temporalities
      • Notes: Valerie Bryson “Time, Power and Inequalities, in “Time, Temporality and Global Politics”
      • Notes: Judith Halberstam: In a queer time and space, 2005
      • Notes: Karen Barad, TransMaterialities: Trans*/Matter/Realities and Queer Political Imaginings
    • Year 2 research materials
      • On walking
      • Marilyn Arsem
    • performing in public
      • street theatre
      • site-specific performance
  • Intraplaces
    • in-between-the rooms

walking on Syntagma Square: sharing time in public space

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material

video/audio

questionnaire I

questionnaire II

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